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Billie Eilish, Glastonbury review: Masterclass in modern pop on the Pyramid Stage

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There was loads of “observe”, as they are saying within the reside enterprise. Eilish is supported by simply two musicians, a pounding drummer giving her typically very low-key materials extra reside dynamism and vitality, and her multi-instrumentalist co-writing older brother Finneas masterminding every thing from behind a keyboard, with occasional forays out to play bass and guitar. 

Eilish performs to pre-recorded backing vocals that she provides to reside, albeit often letting issues roll forward while she runs about smiling, leaping and twisting just like the enthusiastic star pupil of a very vigorous yoga class. It is arduous to bend over backwards and sing on the similar time.

Throughout a music known as Getting Older (a delicate ballad about the changes wrought by growing up, reminding us that it isn’t solely the previous that fear about growing old) some stray vocals appeared within the combine, accompanied by an audible criticism “Get that vocal out of there! Why is it enjoying?” Albeit, when you have got an artist as self-aware and self-referential as Eilish, decided to interrupt down the fourth wall, it’s inconceivable to low cost that this may need truly been a part of the manufacturing.

Typically observe is used as a type of subterfuge (and will be regarded upon suspiciously by extra old skool analogue musicians and audiences) however a youthful technology make use of this expertise unabashedly, liberated from constraints of band association to create probably the most compelling spectacle humanly potential. And what the Glastonbury viewers received was a vastly slick and entertaining present that was vividly lit, dramatically designed and sounded completely unbelievable.

Occupying an enormous stage as if she was born on it, investing her songs with heat and keenness, and interacting along with her viewers with twinkling, guffawing spontaneity, Eilish provided a really human presence within the pop machine.

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