Recurring all through Lennart Hüper’s sombre documentary are photographs of the huge, deep ocean, whose rippling floor hums with an ominous melancholy. In opposition to a dismal soundscape of crashing waves and beeping boat alerts, staggering information flash up on the display screen, stating the numbers of Libyan refugees who’ve died or gone lacking at sea as they try to flee from their war-torn nation and detention camps to Europe.
In the meantime, Lifeline, a civilian ship that carries out rescue missions for refugees, has been impounded on the coast of Malta for months, as its captain Claus-Peter Reisch endures fines and costs of commanding an improperly registered ship. Exposing how the arduous authorized ordeal is a purple herring in a political unwillingness to assist refugees, the movie paperwork the inspiring resilience with which Reisch and his crew keep the day-to-day operation of Lifeline whereas looking for legislative modifications to permit government-sanctioned assist for refugees stranded at sea. At one level, Lifeline supporters hand out leaflets through the festive season to vacation buyers; the matter-of-fact scenes of seasonal jollity really feel particularly heartbreaking when, proper on their doorsteps, the identical easy luxurious is denied to displaced Libyan refugees.
A lot of No Information revolves across the unsettling monotony of ready. Because the Lifeline crew patiently put together their meals day-after-day, the waste of assets underlines the cruelty of forms. The Libyan refugees are additionally ready for one thing which may by no means come, a longing hemmed in by demise, violence and uncertainty.