Home Entertainment Playground review – a remarkable child’s-eye view of bullying

Playground review – a remarkable child’s-eye view of bullying

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Sometimes cinema is at its most potent and engrossing when it’s stripped right down to the necessities. Playground, the achieved, uncomfortably highly effective first characteristic from the Belgian writer-director Laura Wandel, is a lean 72 minutes in size, with no rating and a lithe, instinctive, handheld digicam that hardly ever leaves the face of seven-year-old Nora (Maya Vanderbeque, very good). It’s piercingly insightful with out ever labouring the purpose.

The movie Nora’s well-meaning try and intervene when she sees her older brother Abel (Günter Duret) focused, exploring the way in which that bullying spreads like a stain by a major and center college neighborhood; how the taint of victimhood can override the bonds of friendship and household; and the way doing the proper factor can backfire catastrophically.

Playground’s French title, Un monde, interprets as “a world”, and the college is simply that: the squat, blocky buildings and treacherous strip of asphalt are a hostile and inescapable surroundings. There isn’t any respite – both for the viewers or for the youngsters who discover themselves outcasts within the semi-feral pack dynamic of childhood.

Frédéric Noirhomme’s digicam is nearly a personality within the story. It hovers at youngsters’s eye stage, nervy in an unforgiving bluish, bruised color palette, solely sometimes permitting an grownup to slide absolutely into focus. A sympathetic instructor (Laura Verlinden) is one; Nora and Abel’s father and, we assume, major carer (Karim Leklou) is one other. However equally spectacular is the sound: with the digicam locked on Nora’s tearful saucer eyes, a lot of the stress is created, vividly, outdoors the body. It’s a outstanding achievement.

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