Home Entertainment The Card Counter review – Oscar Isaac deals a high-stakes hypnotic nightmare

The Card Counter review – Oscar Isaac deals a high-stakes hypnotic nightmare

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Here is a movie about playing from writer-director Paul Schrader and producer Martin Scorsese that begins with a closeup of the queen of spades – I’m betting it’s a sly reference to the Thorold Dickinson classic of the same title, in regards to the recreation Faro, by which that card is such a horrible omen of in poor health fortune.

Schrader has created one other drama about obsessive masculinity, fragile hope and potent despair competing for dominance within the coronary heart of a person roaming a nocturnal world of sin – naturally it’s unimaginable to not see the echo of Schrader’s screenplay for the 1976 classic Taxi Driver. What did Travis Bickle truly do in Vietnam? (Or is the entire level that we don’t know?) And what if as an alternative of a younger woman Travis was attempting to redeem it was a younger man, a youthful model of himself?

In numerous small-scale casinos throughout the US – not within the Vegas league – knowledgeable gambler discreetly plies his commerce: that is William “Inform” Tillich, performed by Oscar Isaac, his seductive sleepy-eyed handle to the digicam making him look drained, gaunt and even lizardly. William counts playing cards at blackjack: that’s, by memorising each card performed, he can calculate the second at which to guess massive, however is aware of sufficient to maintain his winnings modest to keep away from getting barred. In any case he’s extra considering poker. William has discovered fierce private self-discipline, card expertise and poisonous self-hate in navy jail. In each funds motel he stays, William takes all the images down and wraps the furnishings in sackcloth to make his room like a cell, or one thing worse than that.

Throughout a resort poker event, William wanders right into a business conference on ex-military safety strategies and comes throughout a sure younger man: Cirk (Tye Sheridan). Cirk makes William a proposal: to assist him kill somebody of their mutual acquaintance. William counter-offers: Cirk can come on the highway with him and be taught the world of playing. Does William wish to mentor Cirk – educate him to channel this rage and damage into the casinos’ soulless however innocent world the way in which he has achieved? However William doesn’t appear to be instructing Cirk something concrete about card video games: is that this only a cowl so he can co-opt Cirk’s murderous plan?

Schrader’s film is nice at exhibiting the airless, affectless world of the on line casino itself, in addition to the grim setup of the poker tournaments within the opening rounds, with contestants squashed collectively in one thing as unglamorous as a bingo corridor. Robert Altman’s playing film California Break up from 1974 confirmed one thing related, and William and Cirk are a bit like a much less intimate model of the tragicomic buddy pairing of George Segal and Elliott Gould in that movie, or maybe extra like Philip Baker Corridor and John C Reilly’s master-pupil playing relationship in Paul Thomas Anderson’s Laborious Eight in 1996.

Cirk has come into William’s life on the actual second that one thing good is occurring to him, if solely he might see it. Gambler turned expertise spotter La Linda, performed by Tiffany Haddish, asks William if he could be considering turning professional for numerous high-roller backers of her acquaintance: however truly she has emotions for this coolly reserved powerful man, and the always-likable Haddish properly conveys her damage emotions when William maladroitly tells her how a lot their “friendship” means to him.

Schrader has carpentered a robust and vehement movie, hypnotically watchable and squalid with nightmarish flashbacks and a sometimes apocalyptic ending that grows plausibly sufficient out of what has gone earlier than. There’s a horrible, queasy urgency to this high-stakes recreation.

The Card Counter is launched on 5 November in cinemas.

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